Details of musical waveform synthesis, i.e. audio waveshape processing from individual wavetable samples, independently of their origin or of the sound they represent

Full Title

Aspects of algorithms or signal processing methods without intrinsic musical character, yet specifically adapted for or used in electrophonic musical processing > Details of musical waveform synthesis, i.e. audio waveshape processing from individual wavetable samples, independently of their origin or of the sound they represent

Child Classifications

Navigate with arrow keys, Enter to open

• G10H 2250/545 Aliasing, i.e. preventing, eliminating or deliberately using aliasing noise, distortions or artifacts in sampled or synthesised waveforms, e.g. by band limiting, oversampling or undersampling, respectively
• G10H 2250/551 Waveform approximation, e.g. piecewise approximation of sinusoidal or complex waveforms
• G10H 2250/571 Waveform compression, adapted for music synthesisers, sound banks or wavetables
• G10H 2250/611 Waveform decimation, i.e. integer division of the sampling rate for reducing the number of samples in a discrete-time signal, e.g. by low-pass anti-alias filtering followed by the actual downsampling
• G10H 2250/615 Waveform editing, i.e. setting or modifying parameters for waveform synthesis
• G10H 2250/621 Waveform interpolation
• G10H 2250/631 Waveform resampling, i.e. sample rate conversion or sample depth conversion
• G10H 2250/635 Waveform resolution or sound quality selection, e.g. selection of high or low sampling rates, lossless, lossy or lossier compression algorithms
• G10H 2250/641 Waveform sampler, i.e. music samplers; Sampled music loop processing, wherein a loop is a sample of a performance that has been edited to repeat seamlessly without clicks or artifacts
• G10H 2250/645 Waveform scaling, i.e. amplitude value normalisation